Directed by Blake Edwards, this moody and surreal Columbia noir couldn’t have been more different than his previous film. Made just after Breakfast at Tiffany’s, starring Lee Remick, Glenn Ford, Stefanie Powers and Roy Poole, and a hauntingly cool film score by Henry Mancini, this black & white psychological thriller is quite the hidden gem. […]
Great writing, profound themes, moving characters, and absolutely wonderful art converge in this subtle masterpiece.
Bristling with techno-gothic arabesques and oozing with bio-horror monstrosities, it is an overwhelming, maximalist achievement of personal style.
The massive world-building is a visual treat, and in the long-run the emotional story-arcs satisfy with a deeply human message.
A breezy and smart twist on invasion scifi.
Barad’s exhaustive tome dives deep down into her decades-long study of Neils Bohr’s philosophy of science
Its a wild read with at least one weird, loopy twist per page.
Space Suit Concept Art
A mini book review of Catherine Malabou’s Ontology of the Accident: An Essay on Destructive Plasticity (2012 translated by Carolyn Shread)
